亞際木刻圖繪（六）　她的木刻：木刻實踐的女性視角

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Inter-Asia Woodcut Mapping Issue VI Her Woodcuts: Female Perspectives on Woodcut Practices
出版社：亞際木刻圖繪 Inter-Asia Woodcut Mapping
出版日期：2026/03
語言：繁體中文、英文

內容簡介：

談及木刻版畫，人們或許首先聯想到其剛勁的線條、強烈的對比，以及具批判性的傳統，也因此，這項媒介時常被賦予某種陽剛調性，或甚少將它與「她」的實踐聯繫起來。事實上，在亞洲現代木刻運動的脈絡中，男性藝術家的確較占據主導，女性的參與長期處於邊緣。即便在性別意識已逐步推進的今天，從女性視角或性別觀點回顧、重探這段歷史的研究，依然為數甚少。有見及此，本期《亞際木刻圖繪》嘗試以「她的視角」作為切入，梳理亞洲不同社會脈絡下女性創作者的實踐，從而審視那些在主流敘事中被遮蔽、異質而多樣的生命經驗，以及探討另一種自我組織與社會實踐的可能。

・她的木刻：木刻實踐的女性視角 | 編輯部

・招瑞娟：戰後日本大眾木刻運動中的華僑女藝術家 | 町村悠香

・1980年代女性藝術家們的民眾版畫：以「杜侖」為中心的民眾美術與版畫運動 | 稻葉真以

・如蕨的相處與連結：點印社訪談 | 吳君儀、李俊峰

・女性主義書店中的女性主義木刻小組：魔女版畫訪談｜狩野愛

・刻作「她助之網」：木刻藝術家李平與里林的訪談｜林閱

・耕作由女性主義者主導的安全空間：TkTk女性主義版畫者的個案研究｜蓋爾．維拉弗洛爾

・印刻只爲看見：「刻木尋梅」的藝術行動實踐｜刻木尋梅

When speaking of woodcuts, people often first think of its vigorous lines, stark contrasts, and its critical tradition. As a result, this medium is often endowed with a masculine tone and rarely associated with “her” practice. Indeed, within the context of Modern Woodcut Movements across Asia, male artists have largely dominated, while women’s participation has long remained at the margins. Even today, as gender consciousness gradually advances, studies that revisit and reexamine this history from women’s perspectives or through a gender lens remain relatively rare. In light of this, this issue adopts “her perspectives” as a point of departure by tracing the practices and experiences of women artists and practitioners in various Asian social contexts. It aims to examine the obscured, diverse, and heterogeneous life trajectories veiled by mainstream narratives, and to further explore the alternative forms of self-organization and social practice.

Contents:

・Her Woodcuts: Female Perspectives on Woodcut Practices | Editorial Board

・Zhao Ruijuan: An Oversea Chinese Female Artist in Japan’s Postwar Popular Woodcut Movements | Haruka MACHIMURA

・People’s Print by Women Artists in the 1980s: The Minjung Art and Print Movement Centered on Dureun | Mai INABA

・Interact and Connect Like Ferns: An Interview with Printhow | Krystie NG, LEE Chun Fung

・A Feminist Woodcut Collective in a Feminist Bookstore: An Interview with The witch printmaking collective | Ai KANO

・To Carve Her Networks: Interview with Woodcut Artists Li Ping and Lilin | LIN Yue

・Cultivating Feminist-Led Safe Spaces for Creatives: A Case Studies of TkTk Feminist Printmakers | Gale VILLAFLOR

・Carve to Witness: Rememher Group’s Artivism | Rememher Group

亞際木刻圖繪（六） 她的木刻：木刻實踐的女性視角

亞際木刻圖繪（六）　她的木刻：木刻實踐的女性視角